Short, double-breasted, empire waist coat with a shawl collar, and slanted welt pockets. A narrow belt is attached to each bottom button in the front , and ties loosely in the back. Shown with narrow pants.
Short coat with the fake fur lining showing on the large collar, with welt pockets and a half belt (under the coat in the back and threaded through openings to tie in the front).
Sketch of a model in a knit jacket over pants and a criss-crossed top tied at the waist. Text of note: "Simple slip-on easy pants + a brief little criss-cross top of fine all wool jersey in a soft mauvey tone are creature comfort to me -- I like the contrast of a thick texturey mix of a knit over it all in subtle wisteria colors --At bottom: May 30, 1980 for Bernadine Morris NY Times"
Handwritten on drawing: a wide circled mantle -- a high turtled neck -- pocketed on the inside -- traced round with leather -- and - look no hand holes -- throw one end over shoulder / 5452 cape / Bonnie Cashin / Jan/68
Handwritten on drawing: four parts of fall -- a shirt / a shell / a long stride skirt / a suede cardigan over all -- line it with wool / Bonnie Cashin / Jan/68
Handwritten on drawing: sleek leather -- with a nothing of a shirt band collar -- but big butcher's cuffs of raccoon -- make it in peat keep it narrow underarm -- Bonnie Cashin / Jan/68
Handwritten on drawing: Shantung anyone? / new way to look -- tough double ticking -- patched and edged with suede -- wear it with suede breeches and a sweater or shirt --- the shantung shell / bellows pocket / back, slit pocket / Bonnie Cashin
Handwritten on drawing: the Llamasery coat -- this year in suede lined in curly goat -- I'd like it in maybe sour "espagna" yellow -- and wear it over country things as well as everything else / Bonnie Cashin