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Egyptian Theatre, photograph of rendering

Description:
Lee's concept rendering for a storefront theatre in the popular Egyptian theme betrays little attention on the façade to Egyptian-derived elements. The tall pylon sign, the illuminated marque extended out over the sidewalk, and the dramatically curved forms all serve to advertise the product to the audience on the street.
Date:
1936
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Egyptian Theatre, photograph of rendering

Drive-in theatre, Arcadia, photograph of bird's eye rendering

Description:
The drive-in theatre concept was first tried in the mid-1930s but only after World War II did the idea gain widespread acceptance. Lee designed several drive-in theaters, a type especially suited to the mild climate and car-dependent economy of Southern California. The drive-in allowed the whole family to go to the movies in the family car, with no need for a baby-sitter. It also proved especially popular with dating teen-agers, who found drive-ins the ideal refuge from watchful adult eyes. The drive-in was also cheap to build. A large piece of land, a structure to display the screen and smaller buildings for tickets, refreshments and the projector were all that was needed. The parking lot was usually graded to provide the parked cars with a good angle for viewing the screen, and each space was equipped with a speaker that could be hooked to the dashboard to bring the sound into the car.
Date:
1948
Resource Type:
still image
Photographer:
Hoffman-Luckhaus
Collection:
S. Charles Lee Papers, 1919-1962
Drive-in theatre, Arcadia, photograph of bird's eye rendering

Puente Theatre, Puente, rendering

Description:
Lee's sketch offers a prototype for a theatre that could be built cheaply and quickly. The simplest means of quickly constructing a theatre-sized space was to build a Quonset hut, a method devised in the late 1930s using small wood members to create an arched truss frame, which was then often clad in metal for warehouse purposes. A number of motion picture theatres were built in this way. They offered inexpensive rapid construction of theatre spaces in small towns such as Puente, an agricultural community east of Los Angeles.
Date:
1947-48
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Puente Theatre, Puente, rendering

Visalia Theatre, Visalia, photograph of rendering, night

Description:
This night view is a simplified design for a one-story building, retaining the downlighting in the lobby area, but eliminating the curved Streamline effects of the daytime view. Here the sign at the corner becomes the principal element of the design. Lee uses a series of recessed frames highlighted by indirect lighting, around the entire entrance, the poster cases, the false windows on the façade, and above the box office as a unifying motif.
Date:
1946-49
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
Visalia Theatre, Visalia, photograph of rendering, night

De Anza Theatre, photograph of rendering

Description:
The De Anza is a modest, simplified Streamline Moderne style theatre appropriate for a small city. Differences between the rendering and the exterior of the finished building show that much of the streamlining was eliminated, with the exception of the curved façade at the corner and the curved form of the pylon. The photographer, Julius Shulman, captured the new theatre in full sunlight with deep shadows; his image accentuates the dramatic black and white contrasts and the sculptural forms of the building. The gently curved blond wood-paneled walls of the auditorium, and the flowing figures executed in bas relief flanking the screen, carry out the Streamline Moderne theme. The curving, wood-paneled foyer displays a bas relief wood-on-wood mural depicting the arrival of Spanish explorer De Anza in California. An extravagantly curved couch, streamlined settees with curved arms and backs, and a table with curving legs furnish the ladies' lounge. The boxed chandelier suspended from the ceiling is typical of the Moderne taste for soft, indirect lighting. Shulman's photograph takes advantage of the strong natural light from the windows to create a study in light and shadow.
Date:
1937-39
Resource Type:
still image
Collection:
S. Charles Lee Papers, 1919-1962
De Anza Theatre, photograph of rendering