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Hilda Adams and painter Kenneth Adams at home, Ranchos de Taos, 1932

Description:
Kenneth Miller Adams studied with G.M. Stone in Topeka, at the Art Institute of Chicago and the Art Students League in New York, and then travelled to Italy and France for further instruction. He summered in Woodstock, NY with Andrew Dasburg, painting the landscape and developing his skills as a modernist. In 1924 Adams moved to Taos and became the last and youngest member of the Taos Society of Artists. He was also one of the most emotionally taught at the University of New Mexico, Taos. In 1938 He moved to Albuquerque during the winters, where he worked on nudes, portraits and still life, returning to Taos in the summer to focus on Indian subjects, with whom he had a close connection. He taught at the University of New Mexico in Albuquerque, as well, eventually earning a tenured professorship and a membership to the National Academy of Design.
Date:
1932
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Hilda Adams and painter Kenneth Adams at home, Ranchos de Taos, 1932

Stanley Reckless seated in the studio of his Silver Lake home, Los Angeles, 1930-1939

Description:
Stanley Reckless was born Stanley Zbytniewski. In 1913 he enrolled at the Pennsylvania Academy of the Fine Arts (PAFA), studied under Daniel Garber. In 1915, 1916 he was awarded 2 Cresson Traveling Scholarships, and traveled to Paris, enrolling briefly at the Academie Julian. In 1920 he moved to Lumberville, Pennsylvania and started exhibiting at PAFA, the National Academy of Design, and the Corcoran Gallery of Art. In 1924 he settled in New Hope, Pennsylvania, where he painted the landscape and shared a studio with Charles Hargens. In 1930 he moved to California where he painted portraits of members of the film industry. He co-founded the Art Center School in Los Angeles.
Date:
[between 1930-1939]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Stanley Reckless seated in the studio of his Silver Lake home, Los Angeles, 1930-1939

George Sprague seated at a piano, circa 1930-1939

Description:
This is probably George Newman Sprague, an architect who earned his Master's Degree in Architecture from Harvard University, opened his office in Los Angeles in 1930, taught at USC and the Art Center, married Katherine Devlin in 1931, and who lived in Chadd's Ford, PA from 1947 on. Will Connell taught at the art Center during the time that Sprague was there.
Date:
[circa 1930-1939]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
George Sprague seated at a piano, circa 1930-1939

Franz Geritz with his wife Josephine and daughters Ferenc and Mariska, Los Angeles, 1930

Description:
Franz Geritz, painter, printmaker, illustrator, writer and educator, was born in Budapest, Hungary. He immigrated to the U.S. in 1909, and graduated from the California College of Arts and Crafts in Oakland where he studied with Perham Nahl, Zavier Martinez and Frank Van Sloun. He taught block printing at the University of California Extension, Los Angeles for ten years; created block prints of views in Yosemite, Shasta, Mono Lake and Zion; was a member of the California Society of Etchers and California Printmakers; exhibited in group shows and had a solo exhibition at the Los Angeles County Museum in 1926. His work is represented in collections of the Library of Congress, the Brooklyn Museum and many city and county libraries in California.
Date:
1930
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Franz Geritz with his wife Josephine and daughters Ferenc and Mariska, Los Angeles, 1930

Kenneth Adams in his studio, Ranchos de Taos, 1932

Description:
Kenneth Miller Adams studied with G.M. Stone in Topeka, at the Art Institute of Chicago and the Art Students League in New York, and then travelled to Italy and France for further instruction. He summered in Woodstock, NY with Andrew Dasburg, painting the landscape and developing his skills as a modernist. In 1924 Adams moved to Taos and became the last and youngest member of the Taos Society of Artists. He was also one of the most emotionally taught at the University of New Mexico, Taos. In 1938 He moved to Albuquerque during the winters, where he worked on nudes, portraits and still life, returning to Taos in the summer to focus on Indian subjects, with whom he had a close connection. He taught at the University of New Mexico in Albuquerque, as well, eventually earning a tenured professorship and a membership to the National Academy of Design.
Date:
1932
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Kenneth Adams in his studio, Ranchos de Taos, 1932

Hilda Adams and painter Kenneth Adams at home, Ranchos de Taos, 1932

Description:
Kenneth Miller Adams studied with G.M. Stone in Topeka, at the Art Institute of Chicago and the Art Students League in New York, and then travelled to Italy and France for further instruction. He summered in Woodstock, NY with Andrew Dasburg, painting the landscape and developing his skills as a modernist. In 1924 Adams moved to Taos and became the last and youngest member of the Taos Society of Artists. He was also one of the most emotionally taught at the University of New Mexico, Taos. In 1938 He moved to Albuquerque during the winters, where he worked on nudes, portraits and still life, returning to Taos in the summer to focus on Indian subjects, with whom he had a close connection. He taught at the University of New Mexico in Albuquerque, as well, eventually earning a tenured professorship and a membership to the National Academy of Design.
Date:
1932
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Hilda Adams and painter Kenneth Adams at home, Ranchos de Taos, 1932

Paul Sample, artist, Pasadena, circa 1935

Description:
Paul Starrett Sample was an American artist who portrayed life in New England in the middle of the 20th Century with a style that showed elements of Social Realism and Regionalism. He went to Los Angeles in the 1920's to study at Otis Art Institute, and was on the faculty of the University of Southern California in the school of architecture from 1926 to 1938, when he left to assume a teaching position at Dartmouth College.
Date:
[circa 1935]
Resource Type:
still image
Photographer:
Connell, Will, 1898-1961
Collection:
Connell (Will) Papers
Paul Sample, artist, Pasadena, circa 1935