Francesco Melzi (1493-1570), 2 pen drawings. paper. 1.] Two grotesques, man with pointed chin and old woman, in profile facing each other. 2.] Two grotesques, old woman and smiling old man, in profile facing each other. Attributed by Carlo Pedretti to Francesco Melzi, a pupil of Leonardo da Vinci, they are copies of Leonardo sketches, some of which are in the collections of the duke of Devonshire at Chatsworth. Formerly attributed to Leonardo himself. From a set of twelve drawings of similar size in the collection of the earls of Pembroke at Wilton House, one of which is now at the Detroit Institute of Art (Gift of Edward Fowles). Given to the Elmer Belt Library by Mr. and Mrs. Edward Fowls in honor of Dr. Franklin D. Murphy in 1968.
Manuscript book of hours for the use of Rouen, written and illuminated in Rouen, France sometime during the 15th century. Includes the typical common elements of a book of hours: church year calendar in French; readings from the Gospels; Hours of the Virgin, a set of eight devotional texts in Latin, one to be recited at each of the eight canonical hours of the day; penitential psalms, litany of saints, prayers for the dead, and prayers to the Virgin. Script: Latin text in gothic hand in black, with instructions in red ink, 15 lines per page; months of the calendar illuminated in gold, with saints' days written in red or blue ink. Illustrations: includes 11 large miniatures within arched frames, of scenes from the life of Christ (Annunciation, Nativity, Crucifixion, Pietà), as well as portraits of the four Evangelists, King David with his harp, and St. Michael overcoming the devil; donor portrait on verso of leaf 53; all miniatures vividly colored and illuminated in red, blue, green, rose, black, and white; enclosed by richly painted and illuminated borders of arabesques, leafy branches, flowers and strawberry vines; illuminated floral borders along text margins; large and small illuminated rose and blue capitals. Binding: bound in blind-stamped calf over boards by Cambridge stationer and bookbinder Nicholas Spierinck, with date of 1520 supplied by Ferrari; upper and lower boards decorated with small blind-tooled square stamps containing figures of beasts and birds, and the device of binder with his initials "N" and "S," arranged in intersecting horizontal and vertical rows; vellum endpapers; all edges gilt. In modern beige cloth and brown leather clamshell box having gold-stamped spine title "Book of Hours." Provenance: From the library of Viscount Lee of Fareham, White Lodge, Richmond Park. A gift to Dr. Elmer Belt from Evelyn Cushman, 1954. Dr. Belt's illustrated bookplate on recto of front endleaf, with caption "From the House of Belt."In Latin and French.
2 columns of 38 lines. Written by 1 person in a rounded Italian gothic bookhand in olive-brown ink; rubrics in red minuscule. On folio 1r, 9-line initial parted red and blue on blue and red penwork; the remainder of the quotation from Inferno in a display script; on f. 2v, 3-line initials alternately in red and blue, on penwork of the opposite color; initials in the text slashed with red. f. 1r badly worn.
Manuscript document on vellum, written in several Romanesque bookhands in 3 columns on both sides of single leaf. Notary signs. 590x 422 mm.An official record of land donations left in wills to the church of San Juan Batista de Calavario near Montenegro in the province of La Coruña, Spain. By far the greatest proposition of gifts come from the Froilaz family and were left between the years 1076 and 1153. Includes are seventeen separate donations.Neither the church, nor the town exit today and the only means of localizing the donations are the mention of the rivers Eume and Lara (i.e. Ladra), both in northeastern La Coruña. Froilaz (Froilan or Froila) was the name of 3 kings of Asturia and a bishop of Leon, and so must have ben closely related to this region.
Catholic Church. Liturgy and ritual. Breviary. Written in semi-gothic script. Includes circular diagram for finding the Golden numbers starting with the year 1501, with instructions in French. Cf. Ferrari.
Written in Spain in the middle of the thirteenth century. In the possession of a Dominican convent or friar before the end of the century; front pastedown top, half cropped, “. . . -ia ordinis predicatorum.” In England before the fourteenth century; English hands on ff. 1r-v, 387r-v, front pastedown. On f. 386 lower margin, erased note of accounts in fourteenth-century anglicana, “... sol[idos] . . . sol[idos] . . . Ego frater . . . sororem . . . sorores. ...” On f. 1v top, an erased note. Paper label “11” on the spine. Belonged to Isaac Foot; his bookplate, f. 1v. Came to UCLA with the Foot Collection in 1960.
Vol. 1 Italy (s. IX-XI) Vol. 2 Italy (s. XII)Vol. 3 Italy (s. XIII) Vol. 4 Italy (s. XIV) Vol. 5 Italy (s. XV)Vol. 6 France (s. XI-XIII)Vol. 7 France (s. XIV-XV) Vol. 8 England & Spain Vol. 9 GermanyVol. 10 Greek & Hebrew
Six loose leaves from a commital register (registre d’écrous) of the Châtelet, the central Paris jail, containing 71 entries regarding the commital of people between 24 April and 24 May 1412. These are the earliest surviving portions of the medieval registers of the Paris jail.
Parchment, 1 leaf, slightly cropped at the inner margin. 24 long lines (text or music); ruled in ink. Heavy German gothic bookhand in liturgical style; brown ink. 2-line inititals in red on faded green flourishes; initials in the text in red; rubric in red miniscule; the first two lines of text of each hymn have German gothic notes on staves of 4 lines, 3 in red and 1 brown (the line of F, which is marked; C also is marked); on the other lines of text notes without staves.
Parchment, 1 leaf. 30 long lines; single bounding lines; hard point ruling. Ordinary minuscule of liturgical style, showing minims often ending in a serif; brown ink. 1 and 2-line plain capital initials in red; initials in the text red or slashed with red; rubrics in mixed majuscule in red; neumes of St. Gall type.
Parchment, lower half of 1 leaf. 9 long lines survive; drypoint ruling barely discernible. Late Caroline minuscule script: "d" appears in two forms; both ampersand and the tironian note 7 for "et" are found; ascenders and descenders often end in a serif; brown ink. 8-line initial in red pen-and-ink vine stem pattern; rubric in red minuscule; neumes of St. Gall type.
Parchment, 1 leaf. 2 columns of 32 lines; ruled in ink. Calligraphic gothic bookhand in liturgical style (littera textualis formata); dark brown ink. 2-line initials alternately red and blue on penwork of the opposite color; initials in the text slashed with red; initials in the lines of text with music at times with elaborate flourishes in brown; on the outer margin of the verso "LVII" in red belongs to a contemporary foliation; music on staves of 4 brown lines; F and C are marked; German gothic notes. A contemporary correction of the text by a different hand in lighter ink on the lower margin of the recto.
Parchment, upper portion of 1 leaf. 4 lines of text and 4 1/2 staves survive; text not ruled. Gothic bookhand in liturgical style (littera textualis formata); blackish ink. Initials plain red or touched with red; German gothic notation on staves of 4 lines, the line of F in red, that of C in green.
Antiphonal. Parchment, 1 leaf cropped at margins. 12 lines of text with music; ruling not discernible. Liturgical gothic bookhand (littera textualis formata); dark brown ink. Primary initials alternately red and blue; initials in the text are elaborate brown majuscule slashed with red; music in square notation on staves of 4 red lines. A gothic cursive hand (s. XV) entered several notes on the recto, upside down, when leaf was a pastedown, including "Averrois commentator cum titulos fidei voluit probare rationibus nec potuit quare apostata in fede factus est"; "Sanctus Vincentius ordinis predicatorum habuit illum donum gratie, quod loquebatur suo sermone intelligibatur ab omnibus hominibus diversarum nationum." Used as a pastedown in binding: the verso is badly rubbed.
Parchment, 1 leaf. 21 long lines; ruled in lead. German gothic bookhand in liturgical style (littera textualis formata); brown ink. 2-line initials and initials in the text in red; rubrics in red minuscule; German gothic notation on staves of 4 lines, the line of F red and that of C pale green.
Used for binding, rubbed in the middle portion. Title on the verso (s. XVII), on what was the spine of the book bound with this leaf: De iure emphiteutico Tractatus Aurilii Corbuli (i.e., Aurelio Corboli, De iure emphyteutico tractus novus et utilissimus, of which the second and most widespread edition was printed in Colgne, 1589).
Antiphonal. Parchment, 1 leaf cropped at the inner margin. 14 lines of text with music; text unruled. Spikey German gothic bookhand in liturgical style (littera textualis formata); black ink. Initials of verse alternately plain red, and blue with red flourishes; initials in the text are elaborated brown majuscule touched with red; rubrics in red minuscule; German gothic neumes on staves of 4 red lines, F and C are marked. Used as a pastedown in binding: the verso is almost completely rubbed.