Peggy Hamilton standing next to an art deco statuette on a table modeling an evening gown with wide fur sleeves and matching fur neck wrap, and with a narrow sequin or beaded sash that wraps around the neck and extends down the front of the gown.
Peggy Hamilton standing on a grand spiral staircase, wearing a regal evening gown with empire lines in ivory satin embroidered with pearls and rhinestones, with puffed sleeves and a flared stand-up collar of Alençon lace. Her red velvet train, 15 yards in length, is decorated with large flowers created from gold metallic ribbon and has an ermine border. Her crown is ornamented with diamonds and pearls.
A different photograph of Peggy Hamilton wearing this coat appears in Peggy Hamilton’s Los Angeles Times feature "Fashions," September 27, 1931, pg. H3.
A different photograph of Peggy Hamilton wearing this gown beneath an ermine coat appears in Peggy Hamilton’s Los Angeles Times feature "Fashions," September 27, 1931, pg. H3.
Peggy Hamilton modeling a fur coat made of white Russian Ermine with a roll collar, flare cuffs of white fox. The coat was from Beckman's Exclusive Fur Shop on West Seventh Street in Los Angeles.
This gown was designed by Max Rée, courtesy of Radio Pictures Corporation, for the Coronation Ball at the Biltmore Hotel in Los Angeles at which Hamilton was crowned as Queen Olympia. Hamilton was the Los Angeles County Official Hostess during the 1932 summer Olympics held in Los Angeles. The location of this photograph with grand spiral staircase is not documented.
Peggy Hamilton modeling a suit in a light color fabric. The double-breasted jacket has flared sleeves and the hat has a narrow brim and same color ribbon band.
Peggy Hamilton standing on a grand spiral staircase, wearing a regal evening gown with empire lines in ivory satin embroidered with pearls and rhinestones, with puffed sleeves and a flared stand-up collar of Alençon lace. Her red velvet train, 15 yards in length, is decorated with large flowers created from gold metallic ribbon and has an ermine border. Her crown is ornamented with diamonds and pearls.
Adrian (Adolph Greenberg), an American costume designer during the 1930s and 1940s, designed costumes for over 250 films. In the 1940's he became a fashion designer as well.
Adrian (Adolph Greenberg), an American costume designer during the 1930s and 1940s, designed costumes for over 250 films. In the 1940's he became a fashion designer as well.
Peggy Hamilton modeling a fur coat made of white Russian Ermine with a roll collar, flare cuffs of white fox and a chiffon evening gown with diagonal rows of large sequins on the bodice and a tiered skirt. The coat was from Beckman's Exclusive Fur Shop on West Seventh Street in Los Angeles.
This gown was probably designed by Max Rée, who was director of costume design for First National Pictures at this time. See also: ark no. 21198/zz002bzg6n.
Peggy Hamilton at the Breakfast Club posing with 5 men wearing suits and 16 athletic-looking young men wearing white Olympic games sweaters featuring a central ornament inspired by the Olympic emblem: a shield formed with one row of white stars on a blue ground above red and white stripes and the words "ALL AMERICA" and men in suits. Two sawhorses with horse heads, mascots of the Breakfast Club, appear in the portrait as well. This photograph was taken ten days before the opening of the Olympic games. The Los Angeles Breakfast Club was located at 3213 Riverside Drive in 1932.
Peggy Hamilton modeling a fitted dress with horizontal pin tucks on the bodice, a self-fabric belt, 2 stitched pleats on the skirt, and a fabric corsage at the neckline. The dress is worn with a white under-blouse in a sheer fabric with dropped shoulders and elbow-length gathered sleeves. She also wears a felt hat with a ribbon band tied in a bow and gloves with diminutive embroidered pompoms on the cuffs, and she holds a leather envelope bag.
Peggy Hamilton modeling a fitted dress with horizontal pin tucks on the bodice, a self-fabric belt, 2 stitched pleats on the skirt, and a fabric corsage at the neckline. The dress is worn with a white under-blouse in a sheer fabric with dropped shoulders and elbow-length gathered sleeves. She also wears a felt hat with a ribbon band tied in a bow and gloves with diminutive embroidered pompoms on the cuffs, and she holds a leather envelope bag.
Three of the 7 garments represented in the February 5, 1929 photo session are documented as being by Adrian; the remaining 4 appear to be Adrian designs as well.
Peggy Hamilton modeling a dress with short sleeves set into princess seams and an attached self-fabric belt. The print fabric appears to be silk crepe de chine or rayon and has a small dot pattern. The under-dress is made from a light silk-like fabric as well and is cream or white in color. Hamilton also wears a light colored felt hat with a medium, shaped brim and same-color ribbon band, and light colored gloves with accent stripes on the cuffs. She holds a light colored clutch purse.
Peggy Hamilton modeling a dress and jacket suit in a floral patterned silk with fur trim on the jacket cuffs and hem, probably designed by Beckman Furs (located on Seventh Street in Los Angeles). Hamilton wears a cloche, pearl necklace and earrings.
According to Hamilton's "Fashions" feature in the Los Angeles Times, October 18, 1931, pg. H3, Jean Lucas, president of the millinery business Hortense Inc., visited Los Angeles, in September 1931, to announce the opening his Los Angeles millinery salons.
Peggy Hamilton modeling a hat of black soleil with hemstitched border and a bandeau on the left wide under the brim embellished with felt rose petals, and a dress of chiffon velvet chiffon and Alençon lace.