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Al Fallon and Rhetta Strayhorn Scott pose while attending the Pioneer Picnic at Sycamore Grove Park, Los Angeles, 1940

Description:
Photograph, from left to right, of Al Fallon and Rhetta Strayhorn Scott posing while attending the Pioneer Picnic at Sycamore Grove Park. Al Fallon stands at left. He faces slightly right and looks to the camera. To his right, Rhetta Strayhorn Scott faces slightly left and looks to the camera. Plants, trees and shrubbery stand in the background directly behind them.
Date:
June 27, 1940
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Al Fallon and Rhetta Strayhorn Scott pose while attending the Pioneer Picnic at Sycamore Grove Park, Los Angeles, 1940

Alexander Sparks, the first husband of Doris Dazay, at the murder trial of George Dazey, Los Angeles, 1940

Description:
Alexander Sparks, the first husband of Doris Dazey, who was allegedly murdered by her second husband, George Dazey. At the trial, Sparks testified that he had remained friendly with his ex-wife and the two had occupied the same hotel room in 1934. This aided the prosecution's claim that George Dazey had committed murder because he was unsure of the paternity of a boy born to Mrs. Dazey in 1935.
Date:
February 13, 1940
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
Alexander Sparks, the first husband of Doris Dazay, at the murder trial of George Dazey, Los Angeles, 1940

Alexander Sparks, the first husband of Doris Dazay, at the murder trial of George Dazey, Los Angeles, 1940

Description:
Alexander Sparks, the first husband of Doris Dazey, who was allegedly murdered by her second husband, George Dazey. At the trial, Sparks testified that he had remained friendly with his ex-wife and the two had occupied the same hotel room in 1934. This aided the prosecution's claim that George Dazey had committed murder because he was unsure of the paternity of a boy born to Mrs. Dazey in 1935.
Date:
February 13, 1940
Resource Type:
still image
Collection:
Los Angeles Daily News Negatives
Alexander Sparks, the first husband of Doris Dazay, at the murder trial of George Dazey, Los Angeles, 1940

Alexander Campbell and "Old man" Smith wait for a train at Naud Junction, Los Angeles, 1900

Description:
Photograph, from left to right, of Alexander Campbell and "Old man" Smith standing at Naud Junction and waiting for a train to Irwindale. They stand at the intersection of Alameda and Main Streets in Los Angeles on a bare patch of land between the tracks. Alexander Campbell stands at center and holds a cane. He is in profile and faces right. "Old man" Smith stands to the right of him with his back turned towards camera. Right of him, telephone poles stand. Tracks stretch towards the horizon on either sideof them and converge in the distance. A signal tower stands in the distance at left and buildings line the tracks at right.
Date:
1900
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Alexander Campbell and "Old man" Smith wait for a train at Naud Junction, Los Angeles, 1900

Alexander & Baldwin Building, view from Bishop Street, Honolulu, 1930

Description:
Exterior view of the Alexander & Baldwin headquarters building in downtown Honolulu. Alexander & Baldwin, Inc. was once part of the "Big Five" companies in Hawaii. Today (2012), it operates in shipping, sugar cane, real estate and agriculture. Address for the building is: 822 Bishop Street, Honolulu, Hawaii 96813
Date:
1930
Resource Type:
still image
Photographer:
Cornell, Ralph D.
Collection:
Ralph D. Cornell Papers, 1925-1972
Alexander & Baldwin Building, view from Bishop Street, Honolulu, 1930

Alexander & Baldwin Building and Oregon Building, view from Bishop Street, Honolulu, 1930

Description:
Exterior view of the Alexander & Baldwin headquarters building (right) and the Oregon Building (left) on Bishop Street in downtown Honolulu. Alexander & Baldwin, Inc. was once part of the "Big Five" companies in Hawaii. Today (2012), it operates in shipping, sugar cane, real estate and agriculture. Address for the building is: 822 Bishop Street, Honolulu, Hawaii 96813
Date:
September 26, 1930
Resource Type:
still image
Photographer:
Cornell, Ralph D.
Collection:
Ralph D. Cornell Papers, 1925-1972
Alexander & Baldwin Building and Oregon Building, view from Bishop Street, Honolulu, 1930

Alexander Archipenko works on a clay bust of the Ukranian poet Taras Shevchenko, Los Angeles, 1935

Description:
Photograph of Alexander Archipenko working on a sculpture bust of the Ukranian poet Taras Shevchenko during a stay in California. Archipenko sits at left and reaches up to smooth the clay bust. The bust he works on sits atop a table at center. Another cast of the sculpture sits in the background at right.
Date:
March 28, 1935
Resource Type:
still image
Collection:
Los Angeles Times Photographic Collection
OpenUCLA Collections
Alexander Archipenko works on a clay bust of the Ukranian poet Taras Shevchenko, Los Angeles, 1935

Aleutian turning in the Tongass Narrows, Ketchikan, 1946

Description:
Photograph of the Aleutian turning in the Tongass Narrows. A portion of a dock extends along the left edge. The Tongass Narrows spans most of the width of the image and stretches into the distance. The Aleutian sails in the distance at center. It is viewed from the side with its bow facing left. The Ketchikan shoreline stretches along the left frame. Ships and boats are tethered to docks along the shore. Pennock Island sits behind the Aleutian and mountains rise in the far distance at center.
Date:
September 15, 1946
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Aleutian turning in the Tongass Narrows, Ketchikan, 1946

Aleutian sailing the Tongass Narrows, Ketchikan, 1946

Description:
Photograph of the Aleutian approaching Ketchikan from the Tongass Narrows. The Tongass Narrows spans most of the width of the image and stretches into the distance. The Aleutian sails in the distance, right-of-center. It approaches the Ketchikan shore and is viewed from its bow. The Ketchikan shoreline enters frame at left and extends back towards center. Ships and boats are tethered to docks along the shore. A structure stands along the left frame. Mountains rise in the far distance at right.
Date:
September 15, 1946
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Aleutian sailing the Tongass Narrows, Ketchikan, 1946

Aleutian moored at the dock, Metlakatla, 1946

Description:
Photograph of the ship, Aleutian, sitting moored at the dock in Metlakatla, Alaska. The ship stretches across the image in the near distance. It enters frame at left and stretches back towards the right, into the distance. The Aleutian is viewed at an angle from the side. Three decks are visible. Lifeboats line the edge of the upper deck. Cranes and rigging stand atop the far end of the ship. At left, 2 people walk down the gangplank from the ship. The gangplank stretches between a promenade deck and the dock. The dock runs parallel to the ship and extends to the right of it. People sit along rails that line the left edge of the dock. All face towards the right. In the foreground at left, a wooden post extends vertically through the image. Mountains and low clouds are visible in the background at right.
Date:
September 16, 1946
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Aleutian moored at the dock, Metlakatla, 1946

Aleutian approaching the wharf near the cannery, Ketchikan, 1946

Description:
Photograph of the ship, Aleutian, approaching the wharf at the cannery in Ketchikan, Alaska. The ship sits out in the water in the near distance, left-of-center. It is viewed at an angle from the front. The ship's single funnel billows smoke. A few birds are visible flying around the ship. The Tongass Narrows waterway surrounds the ship and stretches into the distance. The far shoreline is visible lining the background.
Date:
September 15, 1946
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Aleutian approaching the wharf near the cannery, Ketchikan, 1946

Aleutian approaching the wharf, Ketchikan, 1946

Description:
Photograph of the Aleutian approaching Ketchikan from the Tongass Narrows. A portion of a dock juts into frame in the lower left corner. The Tongass Narrows spans most of the width of the image and stretches into the distance. The Aleutian sails in the distance, right-of-center. It approaches the Ketchikan shore and is viewed from its bow. The Ketchikan shoreline enters frame at left and extends into the distance. Ships and boats are tethered to docks along the shore. Mountains rise in the far distance at right.
Date:
September 15, 1946
Resource Type:
still image
Photographer:
West, H. H. (Henry Hebard), 1872-1958
Collection:
West (H. H.) Collection
Aleutian approaching the wharf, Ketchikan, 1946

Alerte! LGV. [inscription]

Description:
Poster warning people about Lymphogranuloma venereum, or LGV. The poster describes the causes and effects of LGV on the human body. There are symbols for "stop", "gloves" and "hospital" accompanying the text describing LGV.
Resource Type:
still image
Collection:
AIDS Posters Collection
Alerte! LGV. [inscription]

Alerta

Description:
Arrangement of musical genre Frevo Canção for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Resource Type:
text
Collection:
Modern Endangered Archives Program
Partituras de Frevo da Banda Capitão Zuzinha
Alerta

Alene no frevo

Description:
Arrangement of musical genre Frevo for the performance of military police band of the state of Pernambuco in Brazil. At the beginning of the 20th century, the band was named after its maestro Captain Zuzinha (José Lourenço da Silva). Historically, military police arrangements were created by several popular composers. Since 2012, UNESCO has recognized Frevo, the traditional rhythm of Pernambuco's Carnival, as an intangible heritage of humanity.
Resource Type:
text
Collection:
Modern Endangered Archives Program
Partituras de Frevo da Banda Capitão Zuzinha
Alene no frevo