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  • Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts✕[remove]1,140
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Event 70: Dr. Kota Shivaram Karanth, interview - Saligram: interview transcript

Description:
Transcript of an interview of Kota Shivaram Karanth, an Indian polymath, a novelist and playwright in the Kannada language. The author of 417 books, he was decorated with the Jnanpith Award for Kannada, the highest literary honor conferred in India. He was also an artist of the Yakshagana (Yakṣagāna) theater form, and could sing, dance and play various musical instruments. This interview is Event 70 of the Arnold Adriaan Bake Restudy Project 1984. During this interview, Karanth discusses Yakshagana, describes the meetings that he had in India with Bake, listens to pieces of music recorded by Bake in 1938 as part of his fieldwork in India, and discusses the music with ethnomusicologists Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy. These exchanges lead to broader discussions about the music, dance and theater traditions in South India. Leela Alva Karanth, wife of Kota Shivaram Karanth, participates in the interview.
Date:
April 19-20, 1984
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 70: Dr. Kota Shivaram Karanth, interview - Saligram: interview transcript

Event 07: Women's songs - Bailhongal - 'Sobane pada’ song - transcription and translation

Description:
Translation and analysis of two songs. A "Sōbānepada – Hasepadaa" song that was performed at a recording session titled "Event 07: Women's songs - Bailhongal" during the Bake Restudy Project in 1984, when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. After this song was was performed, a song recorded by in 1938 by Bake, number 68.8 "Homecoming of the bride," was played back to the performers. Transcription by Sarvamangala Honnappa; translation and analysis by S.A. Krishnaiah, with the coooperation of Dr. C.V. Navalagi-Gokaka and Dr. R.K.Marathe.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - 'Sobane pada’ song - transcription and translation

Event 07: Women's songs - Bailhongal - Seventh Month song - transcription and translation

Description:
Translation of a "Seventh month song" performed during a recording session titled "Event 07: Women's songs - Bailhongal." The song was transcribed by Sarvamangala Honnappa. The recording was created during the Bake Restudy Project in 1984 when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. The performers listened to a song from the 1938 Arnold Adriaan Bake archive, no. 70.1 "Song for women in their seventh month" performed by women from Wadagaum, then performed the song, "Seventh month song - "Arjunanā satina galu garbhini nathalu" (Arjuna's wife is pregnant). Transcription by Sarvamangala Honnappa; translation and analysis by S.A. Krishnaiah.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - Seventh Month song - transcription and translation

Event 07: Women's songs - Bailhongal - Cradling (naming) ceremony song - transcription and translation

Description:
Translation and analysis of a song recorded by Arnold Adriaan Bake in 1938: archive, no. 68.6, titled "Lullaby." Krishnaiah identifies the work as a "Cradling Ceremony (naming ceremony) song." The song was played back during a recording session of the Bake Restudy Project in 1984 when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. Transcription by Sarvamangala Honnappa; translation and analysis is by S.A. Krishnaiah.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - Cradling (naming) ceremony song - transcription and translation

Event 07: Women's songs - Bailhongal - Cradling (naming) ceremony song - transcription

Description:
Transcription of a song recorded by Arnold Adriaan Bake in 1938: archive, no. 68.6, titled "Lullaby." S. A. Krishnaiah, who translated the song, identifies it as a "Cradling Ceremony (naming ceremony) song." This song was played back during a recording session titled "Event 07: Women's songs - Bailhongal." The recording was created during the Bake Restudy Project in 1984 when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. Transcription, by Sarvamangala Honnappa.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - Cradling (naming) ceremony song - transcription

Bake Restudy Notes for the 1984 Bake Restudy Excursion in India

Description:
Notes authored by Amy Catlin-Jairazbhoy documenting the Bake Restudy Project when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. The field notes document recording session Events (numbers 3 - 70).
Date:
February 18 - April 15, 1984
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Bake Restudy Notes for the 1984 Bake Restudy Excursion in India

Gangadhar Nagar - Haranśikārī daf musician with ritualist Chandappa Jampana Kattimani, Hubli (India), 1984

Description:
A man in white plays a daf; Haranśikārī (Haran Shikari, Haranshikari) ritualist Chandappa Jampana Kattimani dances with his eyes closed as men, women and children gathered around him watch; Gaekwad, driver of the Archives and Research Center for Ethnomusicology research team, stands and guards villagers.
Date:
February 23, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Gangadhar Nagar - Haranśikārī daf musician with ritualist Chandappa Jampana Kattimani, Hubli (India), 1984