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William S. Burroughs

Description:
SPANISH: Se habla del significado del día b'atz' en el calendario maya. Se reproducen grabaciones de la sesión Al filo de la oscuridad: extranjeros y disipados, beatniks, espirituosos y hippies: años cincuenta y sesenta. Jorge García Robles hace una semblanza biográfica sobre William S. Burroughs, en la cual habla de su adicción a los opiáceos, su llegada a México, sus primeras impresiones sobre el país y su posterior desencanto. Aborda la escritura de sus libros Junkie y Queer; la relación con su esposa Johanne, a quien asesinó accidentalmente mediante un disparo; su condena en Lecumberri y el destino de sus hijos tras su detención. Se habla de la influencia de Burroughs en algunos grupos de rock y se complementa su biografía con información sobre sus posteriores escritos, como Desayuno al desnudo. Se presenta la sección Cartelera e invitaciones. Incluye piezas musicales de Bob Dylan, Nirvana y Lou Reed.<br>ENGLISH: The meaning of the day b'atz' in the Mayan calendar is discussed. Recordings of the session Al filo de la oscuridad: extranjeros y disipados, beatniks, espirituosos y hippies: años cincuenta y sesenta (At the edge of darkness: foreigners and dissipated, beatniks, spirits and hippies: the fifties and sixties) are played. Jorge García Robles gives a biographical sketch of William S. Burroughs, in which he talks about his addiction to opiates, his arrival in Mexico, his first impressions of the country and his later disenchantment. He discusses the writing of his books Junkie and Queer; his relationship with his wife Johanne, whom he accidentally shot to death; his conviction in Lecumberri and the fate of his children after his arrest. Burroughs' influence on some rock bands is discussed and his biography is complemented with information on his later writings, such as Naked Breakfast. The section Billboard and invitations is presented. Includes musical pieces by Bob Dylan, Nirvana and Lou Reed.
Date:
August 17, 2000
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
William S. Burroughs

Women song 1997 - Hameera

Description:
Recordings made by researcher Vibeke Homaa at village Hameera, Jaisalmer. This tape contains songs sung by a group of women of the Manganiar community from Hameera village, Jaisalmer. The female singers belong to Sakar Khan Manganiar's family and the recording was made in his house. Vibeke Homaa's research dealt with processes of pedagogy among the Rajasthani caste musicians.
Date:
March 01, 1997
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
Women song 1997 - Hameera

Women song 1997 - Hameera

Description:
Recordings made by researcher Vibeke Homaa at village Hameera, Jaisalmer. This tape contains songs sung by a group of women of the Manganiar community from Hameera village, Jaisalmer. The female singers belong to Sakar Khan Manganiar's family and the recording was made in his house. Vibeke Homaa's research dealt with processes of pedagogy among the Rajasthani caste musicians.
Date:
March 01, 1997
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
Women song 1997 - Hameera

Workshop on community museum - I

Description:
Recording of a discussion session with Rustom Bharucha and Kuldeep Kothari led by Teresa Morales from Oaxaca Mexico at Arna Jharna Museum, Jodhpur. Among the other participants were Prasmoni Dutta, A.K. Das, Madan Meena. Teresa Morales was invited as a resource person due to her pioneering work with the community museum movement in Oaxaca, Mexico. This is related to the issues converging around Arna Jharna.
Date:
April 09, 2009
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
Workshop on community museum - I

Workshop on community museum - II

Description:
Recording of a discussion session with Rustom Bharucha and Kuldeep Kothari led by Teresa Morales from Oaxaca Mexico at Arna Jharna Museum, Jodhpur. Among the other participants were Prasmoni Dutta, A.K. Das, and Madan Meena. The recording includes a presentation by Parasmoni Dutta on the ecomuseum in Majuli, and his work on Sankardev, and the Sattras. The discussions were translated into Hindi for the benefit of participants attending.
Date:
April 09, 2009
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
Workshop on community museum - II

Wulu nalu

Description:
FRENCH: Ce morceau est chanté en solo par une femme (Moussoufing Sakiliba) avec un chœur de femmes, accompagnées au tambour (dundun), à la cloche, au tambour d’aisselle et au grand tambour. Cette chanson a été enregistrée à Séro.<br>ENGLISH: This song is performed solo by a woman (Moussoufing Sakiliba) with a choir of women, accompanied on the dundun drum, bell, talking drum and big drum. This song was recorded in Séro.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Wulu nalu

Wuriba

Description:
FRENCH: Ce morceau est chanté en duo alterné par deux jeune filles (Lountanding Dabo et Terena Dabo), accompagnées au tambour (dundun) et grand tambour. Cette chanson a été enregistrée à Koumbamadiya.<br>ENGLISH: This song is performed as an alternating duet by two young girls (Lountanding Dabo and Terena Dabo), accompanied on the dundun drum and big drum. This song was recorded in Koumbamadiya.
Date:
1989-1994
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Wuriba

Wuyi gunne

Description:
FRENCH: Cette chanson est chantée par un homme (Sinkasso Ali Coulibaly), accompagné d’un chœur d’hommes, au tambour (dundun), au tambour (djembé) et de Jita. La chanson a été enregistrée à Bangassi-Nango.<br>ENGLISH: This song is performed by a man (Sinkasso Ali Coulibaly), accompanied by a male choir, dundun drum, djembe, and jita (half calabash with cowrie shells). The song was recorded in Bangassi-Nango.
Date:
1988-1989
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Wuyi gunne

अम्बावजी- X- देवी अम्बाव रो भारत

Description:
Field recordings of the ritual narrative tradition of 'Ambav Bharat' at Undri village in Udaipur, Rajasthan. The ritual performance consists of narrating the story of Amba Mata, the female deity, with Dhak and Thali accompaniment. Amba is a female deity whose narrative is sung and performed during the Gavri festival in eastern Rajasthan. Most devotees of Amba mata and Gavri are members of the Bhil community of Rajasthan.
Date:
1982-09-21
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
अम्बावजी- X- देवी अम्बाव रो भारत

अम्बावजी- X- देवी अम्बाव रो भारत

Description:
Field recordings of the ritual narrative tradition of 'Ambav Bharat' at Undri village in Udaipur, Rajasthan. The ritual performance consists of narrating the story of Amba Mata, the female deity, with Dhak and Thali accompaniment. Amba is a female deity whose narrative is sung and performed during the Gavri festival in eastern Rajasthan. Most devotees of Amba mata and Gavri are members of the Bhil community of Rajasthan.
Date:
1982-09-21
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
अम्बावजी- X- देवी अम्बाव रो भारत

Xa d’in deema

Description:
FRENCH: Ce chant talibé est chanté en solo et chœur par des jeunes garçons talibés (Bakary Fofana et ses camarades), accompagnés aux battements de mains. Cette chanson relève du programme « Chants soninké ». Elle a été enregistrée à Diallané.<br>ENGLISH: This song is performed solo and in choir by young Quranic pupils (Bakary Fofana and his comrades), accompanied by rhythmic hand clapping. This song is part of the “Soninke songs” program. It was recorded in Dialané.
Date:
1988-1989
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa d’in deema

Xa d’in deema

Description:
FRENCH: Cette chanson est jouée par une femme en solo (Tari Kanouté), accompagnée à la guitare et tambour (dundun). Elle a été enregistrée lors d’un mariage à Gouélé.<br>ENGLISH: This song is performed by a solo woman (Tari Kanouté), accompanied on the guitar and dundun drum. It was recorded at a wedding in Gouélé.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa d’in deema

Xa do golle

Description:
FRENCH: Cette chanson est chantée en duo alterné par deux jeunes filles (Daly Baradji et Masinta Doukara), accompagnées au tambour (djembé) et au tambour (dundun). La chanson a été enregistrée à Gouméra en 2008.<br>ENGLISH: This song is performed as an alternating duet by two young girls (Daly Baradji and Masinta Doukara), accompanied on djembe and dundun drum. The song was recorded in Gouméra in 2008.
Date:
2008
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa do golle

Xaliya bɛ n na

Description:
FRENCH: Ce morceau est chanté en trio par trois femmes (Harouna Diallo, Fanta Dansira et Hawa Touré), accompagnées au tambour (dundun). Cette chanson a été enregistrée à Séro.<br>ENGLISH: This song is performed as a trio by three women (Harouna Diallo, Fanta Dansira and Hawa Touré), accompanied on the dundun drum. The song was recorded in Séro.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xaliya bɛ n na

Xannen xara

Description:
FRENCH: Cette chanson est chantée en duo alterné par un homme et une femme (Massiré Camara et Darama Bathily), accompagnés au tambour (dundun) par Massiré Camara. La chanson a été enregistrée à Bada.<br>ENGLISH: This song is performed as an alternating duet by a man and a woman (Massiré Camara and Darama Bathily), accompanied on the dundun by Massiré Camara. The song was recorded in Bada.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xannen xara

Xannun xose geden di

Description:
FRENCH: Cette chanson est chantée par une femme (Awa Samba Danssira), accompagnée à la flûte traversière par Abba Kanouté, et enregistrée à Banaya le 22 septembre 1988.<br>ENGLISH: This song is performed by a woman (Awa Samba Danssira), accompanied on flute by Abba Kanouté, and recorded in Banaya on September 22, 1988 (Mali Independence Day).
Date:
September 22, 1988
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xannun xose geden di

Xannun xose geden di

Description:
FRENCH: Cette chanson est chantée en duo alterné par deux femmes (Kagni Diawara et Koudjedji Cissé), accompagnées à la jita (demi-calebasse avec cauris) et aux battements de mains. La chanson a été enregistrée à Diagadoromou.<br>ENGLISH: This song is performed as an alternating duet by two women (Kagni Diawara and Koudjedji Cissé), accompanied on jita (half calabash with cowrie shells) and rhythmic hand clapping. The song was recorded in Diakadromou.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xannun xose geden di

Xa n’o xilli manne

Description:
FRENCH: Cette chanson est chantée en duo alterné par deux femmes (Kandji Koné et Daye Soucko), accompagnées au tambour (dundun) et enregistrée à Sirimoulou, lors de la célébration de la fête d'Indépendance du Mali le 22 septembre 2002.<br>ENGLISH: This song is performed as an alternating duet by two women (Kandji Koné and Daye Soucko), accompanied by the dundun drum, and recorded in Sirimoulou on Mali Independence Day on September 22, 2002.
Date:
September 22, 2002
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa n’o xilli manne

Xaranŋe

Description:
FRENCH: Ce morceau est joué en duo alterné par deux jeunes filles (Diariatou Sakiliba et Killé Saounéra), accompagnées à la guitare, tambour (dundun) et à la jita (demi-calebasse avec cauris). Il a été enregistré en marge du festival Madikaama-Musundo à Kayes.<br>ENGLISH: This song is performed as an alternating duet by two young girls (Diariatou Sakiliba and Killé Saounéra), accompanied by guitar, dundun drum and jita (half calabash with cowrie shells). It was recorded during the Madikaama-Musundo festival in Kayes.
Date:
1996-2000
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xaranŋe

Xaranŋe

Description:
FRENCH: Cette chanson est chantée par un talibé (Moustapha Camara), un chœur de talibés lui répond, accompagnés des battements de mains. La chanson a été enregistrée à Goundiourou.<br>ENGLISH: This song is performed by Quranic pupils: Moustapha Camara sings and a choir responds, accompanied on rhythmic hand clapping. The song was recorded in Goundiourou.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xaranŋe

Xa r’o n daga

Description:
FRENCH: Ce morceau est joué en duo alterné par deux jeunes filles (Diariatou Sakiliba et Killé Saounéra) accompagnées au grand tambour, tambour (dundun), tambour d’aisselle et à la jita (demi-calebasse avec cauris). Il a été enregistré en marge du festival Madikaama-Musundo à Kayes.<br>ENGLISH: This piece is performed as an alternating duet by two young girls (Diariatou Sakiliba and Killé Saounéra) accompanied on the big drum, dundun drum, talking drum and jita (half calabash with cowrie shells). It was recorded during the Madi-Kaama Musundo festival in Kayes.
Date:
1996-2000
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa r’o n daga

Xa r’o n daga Maali

Description:
FRENCH: Ce morceau est joué en duo alterné par deux femmes (Fatoumata Sadio Diakité et Maya Doukansy), accompagnées au bol en acier renversé. Il a été enregistré à Fégui lors de l’inauguration du forage d'eau potable le 12 février 1999.<br>ENGLISH: This song is performed as an alternating duet by two women (Fatoumata Sadio Diakité and Maya Doukansy), accompanied on an upside-down metal bowl. It was recorded in Fégui on the occasion of the inauguration of the water supply system on February 12, 1999.
Date:
February 12, 1999
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa r’o n daga Maali

Xa r’o n sanga doome

Description:
FRENCH: Cette chanson est chantée en duo alterné par deux femmes (Hinda Sankano et Djènèba Tounkara), accompagnées au tambour (djembé), du tambour (dundun), de la cloche, et rythmiquement des battements de mains. Elle est enregistrée à Gaméra.<br>ENGLISH: This song is performed as an alternating duet by two women (Hinda Sankano and Djènèba Tounkara), accompanied by djembe drum, dundun drum, bell and rhythmic hand clapping. It was recorded in Gaméra.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa r’o n sanga doome

Xa r’o n sanga doome

Description:
FRENCH: Ce chant de femme est chanté par deux femmes (Fily Dansira et Magou Silli Diarra), accompagnées au tambour (dundun) et battements de mains. Il a été enregistré lors de l’ouverture de l’école à Gagny (1992- 1994).<br>ENGLISH: This song is performed as an alternating duet by two women (Fily Dansira and Magou Silli Diarra), accompanied on the dundun drum and with rhythmic hand clapping. It was recorded at the opening of the Gagny school.
Date:
1992-1994
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xa r’o n sanga doome

Xeeri xenu in ŋa

Description:
FRENCH: Ce morceau est joué en solo par une femme (Fatoumata Macalou dite Sangaréba) avec un chœur de femmes, accompagnée au tambour (djembé) et au tambour (dundun). Il a été enregistré à Somankidy lors du lancement du jardin maraicher des femmes.<br>ENGLISH: This song is performed solo by a woman (Fatoumata Macalou aka Sangaréba) with a choir of women, accompanied by djembe and on the dundun drum. It was recorded in Somankidy at the launch of a women’s market garden.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xeeri xenu in ŋa

अम्बावजी- XI- देवी अम्बाव रो भारत

Description:
Field recordings of the ritual narrative tradition of 'Ambav Bharat' at Undri village in Udaipur, Rajasthan. The ritual performance consists of narrating the story of Amba Mata, the female deity, with Dhak and Thali accompaniment. Amba is a female deity whose narrative is sung and performed during the Gavri festival in eastern Rajasthan. Most devotees of Amba mata and Gavri are members of the Bhil community of Rajasthan.1. An episode from the narrative tradition of 'Ambav Bharat', dedicated to the female deity of Ambav. The episode consists of a Jogi or an ascetic getting angry at a 'Bar' tree for killing his eighty four disciples. The Jogi compels the King of the area to order the cutting of the Bar tree. Various people are hired to accomplish this task but as the tree is blessed by devi Ambav, a swarm of bees continue to protect it and the tree survives. Finally, devi Ambav appears and tries to persuade the king to not cut the tree. The episode is sung and narrated by a group of male singers with Dhak and Thali accompaniment. The narration alternates between sung verse known as 'Gav', and spoken elaboration known as 'Arthav'.
Date:
1982-09-22
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
अम्बावजी- XI- देवी अम्बाव रो भारत

अम्बावजी- XI- देवी अम्बाव रो भारत

Description:
Field recordings of the ritual narrative tradition of 'Ambav Bharat' at Undri village in Udaipur, Rajasthan. The ritual performance consists of narrating the story of Amba Mata, the female deity, with Dhak and Thali accompaniment. Amba is a female deity whose narrative is sung and performed during the Gavri festival in eastern Rajasthan. Most devotees of Amba mata and Gavri are members of the Bhil community of Rajasthan.1. An episode from the narrative tradition of 'Ambav Bharat', dedicated to the female deity of Ambav. The episode consists of a Jogi or an ascetic arriving with his eighty four disciples at the Baraliya Dham known for the great 'Bar' tree. The Bar tree had promised devi Ambav eighty four human sacrifices as she had saved the tree from the tortures of the underworld. The Bar tree therefore kills the eighty four disciples of the Jogi who realises upon returning from a short trip that all his disciples are dead. The episode is sung and narrated by a group of male singers with Dhak and Thali accompaniment. The narration alternates between sung verse known as 'Gav', and spoken elaboration known as 'Arthav'.
Date:
1982-09-22
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
अम्बावजी- XI- देवी अम्बाव रो भारत

Xiide

Description:
FRENCH: Ce morceau est joué en duo alterné par deux jeunes filles (Awa Wata Sima et Safi Diakité), accompagnées au tambour (djembé) et tambour (dundun). Elle a été enregistrée à Sabouciré-Sambala.<br>ENGLISH: This song is performed as an alternating duet by two young girls (Awa Wata Sima and Safi Diakité), accompanied on djembe and dundun drum. It was recorded in Sabouciré-Sambala.
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xiide

अम्बावजी- XIII- देवी अम्बाव रो भारत

Description:
Field recordings of the ritual narrative tradition of 'Ambav Bharat' at Undri village in Udaipur, Rajasthan. The ritual performance consists of narrating the story of Amba Mata, the female deity, with Dhak and Thali accompaniment. Amba is a female deity whose narrative is sung and performed during the Gavri festival in eastern Rajasthan. Most devotees of Amba mata and Gavri are members of the Bhil community of Rajasthan.1. A 'stuti' or a prayer dedicated to the female deity Bhawani Mata, sung as part of the ritual narrative 'Ambav Bharat', by a group of men with Dhak and Thali accompaniment. 2. 'Bhawani dar raja hai anadi', a devotional song sung as part of the ritual narrative 'Ambav Bharat', by a group of men with Dhak and Thali accompaniment.
Date:
1982-09-23
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
अम्बावजी- XIII- देवी अम्बाव रो भारत

Xͻnͻba

Description:
FRENCH: Ce morceau est chanté en duo alterné par deux femmes (Kama Sakiliba et Maimouna Sakiliba), accompagnées au tambour (dundun). Cette chanson a été enregistrée le 06 juillet 1996 à Kakoulou.<br>ENGLISH: This song is performed as an alternating duet by two women (Kama Sakiliba and Maimouna Sakiliba), accompanied on the dundun drum. This song was recorded on July 6, 1996 in Kakoulou.
Date:
July 10, 1996
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xͻnͻba

Xochimilco

Description:
SPANISH: Se comenta el origen y el panorama histórico-cultural de los xochimilcas, asentamiento nativo que se ubica en la delegación Xochimilco de la Ciudad de México. Al respecto, nativos de esta región, presentan y explican el valor cultural y la situación social del momento que se ha gestado en la zona de las chinampas. Se mencionan las problemáticas ecológicas, productivas, legales y políticas que la aquejan, en las que destacan las relacionadas con la calidad y el uso social y agrícola del agua. Igualmente, exponen el contexto ejidatario del pueblo de San Gregorio Atlapulco y sobre la resolución gubernamental para el uso y concesión de tierras. También comentan las actividades culturales y educativas, así como proyectos que ellos realizan para promover el turismo en esta zona. Se presentan las piezas Que vivan los chineros y Los chinelos.<br>ENGLISH: The origin and historical-cultural panorama of the Xochimilcas, a native settlement located in the Xochimilco delegation of Mexico City, is discussed. In this regard, natives of this region, present and explain the cultural value and the social situation of the moment that has developed in the area of the chinampas. They mention the ecological, productive, legal and political problems that afflict it, in which those related to the quality and social and agricultural use of water stand out. They also present the ejido context of the town of San Gregorio Atlapulco and the governmental resolution for the use and concession of land. They also comment on the cultural and educational activities, as well as projects they carry out to promote tourism in this area. The pieces "Que vivan los chineros” (Long live the chineros) and "Los chinelos" (The chinelos) are presented.
Date:
November 3, 1994
Noviembre 03, 1994
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Xochimilco

Xochimilco en la época de la Revolución mexicana

Description:
SPANISH: Entrevista a Alejandro Castro Salazar, también conocido como Tío Cando, del pueblo de San Luis Tlaxialtemalco, Xochimilco. Comenta cómo era esta zona en la época de la Revolución Mexicana. Declama un par de sus poemas y narra su andar en el ejército de Emiliano Zapata. Recuerda la época de la persecución a los cristeros y la intención de Victoriano Huerta de regresar las tierras de Xochimilco a los terratenientes. Refiere el conflicto entre Zapata y Carranza.<br>ENGLISH: Interview with Alejandro Castro Salazar, also known as Tío Cando, from the town of San Luis Tlaxialtemalco, Xochimilco. He comments on what this area was like at the time of the Mexican Revolution. He recites a couple of his poems and tells of his time in Emiliano Zapata's army. He recalls the time of the persecution of the Cristeros and Victoriano Huerta's intention to return the lands of Xochimilco to the landowners. It refers to the conflict between Zapata and Carranza.
Date:
November 19, 1989
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Xochimilco en la época de la Revolución mexicana

Xochimilco y la mancha urbana y Ponencia a siete voces, parte 1

Description:
SPANISH: Ricardo Montejano recita el poema Vamos, patria, a caminar, de René Otto Castillo. Se reproduce la participación del Subcomandante Marcos en el Encuentro Intercontinental por la Humanidad contra el Neoliberalismo leyendo la Ponencia a siete voces. Entrevista grabada con integrantes del Comité Civil Electricista, quiénes relatan su labor de electrificación en varias zonas de Chiapas.<br>ENGLISH: Ricardo Montejano recites the poem Vamos, patria, a caminar ( Come on, homeland, let's walk), by René Otto Castillo. Subcomandante Marcos' participation in the Intercontinental Encounter for Humanity and Against Neoliberalism is reproduced, reading his speech in seven voices. Recorded interview with members of the Comité Civil Electricista, who talk about their electrification work in various zones of Chiapas.
Date:
Septiembre 02, 1996
September 2, 1996
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Xochimilco y la mancha urbana y Ponencia a siete voces, parte 1

Xochimilco y la mancha urbana y Ponencia a siete voces, parte 2

Description:
SPANISH: La comisión del Frente Xochimilca en Defensa por la Dignidad del Pueblo y la Red Ciudadana por el Rescate de Xochimilco hablan del problema de la urbanización y denuncian a las autoridades que ignoran los usos de suelo y las costumbres de la comunidad. Entrevista con Carlos Gómez, quien invita a la Decimosegunda Fiesta Nacional de la Planta Medicinal en San Juan Teotihuacán. Integrantes del Comité de Aspirantes y Padres de Familia y el Comité Estudiantil Metropolitano hablan sobre la situación de los rechazados al nivel medio superior. Integrantes del Movimiento Proletario Independiente, Zona Tláhuac, hablan sobre la futura realización de un congreso.<br>ENGLISH: The commission of the Frente Xochimilca en Defensa por la Dignidad del Pueblo and the Red Ciudadana por el Rescate de Xochimilco talk about the problem of urbanization and denounce the authorities who ignore the land uses and customs of the community. Interview with Carlos Gómez, who invites to the Twelfth National Festival of the Medicinal Plant in San Juan Teotihuacán. Members of the Parents and Applicants Committee and the Metropolitan Student Committee talk about the situation of those rejected for higher education. Members of the Independent Proletarian Movement, Tláhuac Zone, talk about the future holding of a congress.
Date:
Septiembre 02, 1996
September 2, 1996
Resource Type:
sound recording
Collection:
The Ricardo Montejano Collection
Xochimilco y la mancha urbana y Ponencia a siete voces, parte 2

Xollen faayi regene

Description:
FRENCH: Cette chanson est chantée en duo alterné par une femme et un homme (Salou Balla Coulibaly et Awa Traoré), accompagnés au grand tambour, à la flûte traversière et rythmiquement des battements de mains. La chanson a été enregistrée à Djindjé.<br>ENGLISH: This song is performed as an alternating duet by a woman and a man (Salou Balla Coulibaly and Awa Traoré), accompanied by a big drum, flute and rhythmic hand clapping. The song was recorded in Djendié on September 22 (Mali Independence Day).
Resource Type:
sound recording
Collection:
Radio Rurale de Kayes (Mali)
Xollen faayi regene